▲餐厅大包间©扎西培楚

▲餐厅小包间©扎西培楚

原建筑三楼主要作为相对私密的包间层使用，但因缺少硬性隔断存在私密性不强的问题。受制于三楼无法拆除的承重砖墙结构，我们通过与在墙体开门洞加钢制门套支撑结构的形式，重新布局了三楼的交通流线，利用原有墙体和新的轻质隔墙，分割出了三间彼此隔离并带有休息区的包间，并增加了中性洗手间以增强整个三楼的私密性，解决了此前二楼与三楼共用洗手间的情况。

The third floor of the original building was mainly used as a relatively private compartment layer, but due to the lack of rigid partitions, there was a problem of weak privacy. Constrained by the load-bearing brick wall structure on the third floor that cannot be removed, we re-arranged the traffic flow lines on the third floor by opening new door holes in the wall and adding steel door cover support structures. Using the original walls and the new light weight partition wall to divides three separate private rooms with a rest area, and adds a neutral toilet to enhance the privacy of the entire third floor, which solves the previous situation of shared toilets on the second floors.

室内陈设上也尽量采用了藏式特色摆件，如极具艺术代表性和宗教属性的藏族传统绘画“唐卡”。唐卡因宗教属性唐卡的挂放多为供奉用途，在包间里我们使用了在藏文化中象征尊贵与敬畏的红色作为悬挂唐卡背景墙。通过背景墙颜色与灯光，我们希望在利用唐卡做空间点缀的同时，传达一种对藏文化的敬仰。

The interior furnishings also use Tibetan characteristic ornaments as much as possible, such as the traditional Tibetan painting Thangka, which is highly artistic and religious. Thangka with religious attributes are mostly used for enshrinement purposes. In the compartments, we used red, which symbolizes honor and awe in Tibetan culture, as the backdrop for hanging Thangka. Through the color and lighting of the background wall, we hope to convey a kind of respect for Tibetan culture while using thangka as space decoration.

▲街边酥油灯©扎西培楚

▲外立面细节©扎西培楚

▲公园视角©扎西培楚

地处藏区，施工期间并未受疫情影响，项目于2020年竣工已投入使用。此次改造有效汲取香格里拉藏地文化特质，为当地基于城市控规和风貌控制的新城区建筑设计提供了新的思路。走入餐厅，一股温暖的气息扑鼻而来，坐下来，喝一口酥油茶，夹一块牦牛肉，吃一口糌粑，与同行之人细语交谈。这里不像拉萨朝圣一般充满仪式感，取而代之的是日常生活的朴实与平凡。

The site is located in a Tibetan region and was not affected by the epidemic during the construction period. The project was completed in 2020 and has been put into use. This renovation effectively absorbed the cultural characteristics of Shangri-La, and provided new ideas for the local architectural design of new urban areas based on urban control regulations. Walking into the restaurant, a warm breath came to the nose. Sat down, took a sip of butter tea, ate a piece of yak meat and ascoop of Tsampa, and talked with others. Unlike the Lhasa pilgrimage which is full of ritual sense, instead it is the simplicity and ordinariness of daily life.

项目信息：

项目名称：喀拉卡尔藏族美食文化中心

项目类型：建筑改造

项目地点：中国云南省迪庆藏族自治州香格里拉市安康巷4号

设计单位：平介设计、云南福龙设计事务所有限公司

项目团队：扎西培楚，杨楠，王乙童，李宗键

公司网站：www.parallect-design.com

联系邮箱：info@parallect-design.com

建成状态：建成

设计时间：2018年10月-2020年1月

建设时间：2020年1月-2020年10月

建筑面积：1000平方米

摄影：扎西培楚

Complete project information：

Project Name: Kalakal Tibetan Cuisine and Culture Center

Project Type: Renovation

Project Location: 4 Ankang Lane, Shangri-La City, Diqing Tibetan Autonomous Prefecture, Yunnan Province, China

Design team: Parallect Design, Yunnan Fulong Design Office Co. Ltd

Design Team: Peichu Zhaxi, Nan Yang, Yitong Wang, Zongjian Li

Website: https://www.parallect-design.com/

Contact e-mail: info@parallect-design.com

Type: built

Design：2018.10-2020.01

Construction: 2020.01-2020.10

Area: 1000 sqm

Photo: Peichu Zhaxi

关于平介设计

About Parallect Design

平介设计(Parallect Design)于2017年成立于荷兰，是一家立足于长三角和荷兰的多元化设计工作室。我们是一个广义设计的小组，建筑规划是我们切入市场的主力，同时我们介入空间、室内、景观、平面、展示等设计项目。

Founded in the Netherlands in 2017, Parallect Design is a design office based in the Yangtze River Delta and the Netherlands. We are a team of designers, architecture and landscape is the main force, and we are also doing exhibition, interior and design research projects.

设计团队拥有不同的教育和工作背景，并希望在这样多元文化背景相互融合冲击的工作氛围中，不断打破设计的“传统”。针对不同环境下设计的问题，提出富有实验精神的设计思路。

We believe that the words "design", "plan" and "program" are synonymous, and the purpose is to "solve a specific problem through design strategies."

我们追随使用者的平行视角，介入设计，强调空间的实际体验。着眼设计艺术性、功能性、经济性的同时，不断挖掘空间潜能和使用者的潜在需求。我们也鼓励多方的讨论和合作伙伴的积极参与，共同完成更有价值的设计。

We follow the user's perspective, intervene in the design, and emphasize the real experience of the space. Focusing on the aesthetics, functions, and sustainability, we constantly explore the potential of design and the potential needs of users. We also encourage multi-disciplinary cooperation to work together and achieve groundbreaking projects.

（责任编辑：水晶）