• 【恆慕国际设计 吴信宏】2020韩国K-DESIGN AWARD 绿意宜居问鼎国际最高荣誉！
• 日期：2020-08-06 15:59:00  来源：https://openworld.tv/talk/in/aid/3880.html   作者：OPEN编辑部    点击次数：0
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  「亚洲三大设计奖」之一的韩国K-DESIGN AWARD，以「美感、独创、实际性」三大端点，长期以来继承全球设计者的高度评价，每年更在「工业」、「空间／建筑」及「通讯传达」三项领域，遴选出顶尖超绝的卓越设计，让赛事中强调的「创新能量」为当代设计带来隽永的价值！
  
  今年赛事，共有来自21个国家的2199件作品参加。于强敌环伺的情况中，前阵子刚拿下金堂奖大奖的 恆慕国际设计 吴信宏 设计总监 延续士气，以广受好评的售楼中心作品《森の穴居》，传递「拥抱自然・享受自然」的心念，并将时空拉回与自然共居的型态，在6个国家共25位评审的严格审查下，入围决选前25％的550件作品，又于近期公佈的最终结果中，成功跻身仅55位winner获奖者之一，让品牌闪耀世界舞台！
  
  
  
  恆慕国际设计
  吴信宏 设计总监
  
  恆慕国际设计创办人
  埕碁国际设计总监
  中原大学 室内设计系研究所 硕士
  室内设计乙级技术士
  
  沉心专业工作领域中，极力创造各项功能场域于室内设计表现下的各种可能性，履获国际大奖肯定，专擅会所、建案营销中心、酒店及一般居住空间。
  针对业主的不同需求，融入独到的个性品味，跳脱一般制式的规则去思考空间的排列，着重于建构空间的比例与动线，运用合宜的建材，光影的操控，创造机能、舒适并重的空间环境，满足使用者的需求，将空间表现发挥到极限。
  
  得奖纪录
  2019中国 中国地产设计大赛 获奖
  2019中国 金堂奖 年度杰出样板房/售楼处空间设计
  2019美国 Architecture Master Prize WINNER
  2019韩国 K-Design Award 获奖
  2019美国 Muse Design Award 双铂金奖
  2019韩国 Asia Design Prize获奖
  2019义大利 A’Design Award 获奖
  2019中国 IDEA-TOPS艾特奖 办公空间设计银奖
  2018新加坡 Singapore Interior Design Awards 获奖
  2018中国 创新中国空间设计艺术大赛 最佳设计作品 金奖
  2018台湾 金点设计奖 入围
  2018澳洲 雪梨设计奖 银奖
  2018韩国 K-Design Award 获奖
  2018美国 IDA国际设计大奖 获奖
  2018义大利 A’Design Award 获奖
  2018中国 金外滩奖 最佳居住空间奖、年度设计师
  2018韩国 Asia Design Prize 获奖
  
  获奖作品《森の穴居》
  
  
  
  设计起源 Design genesis
  
  业主以「树岛阳台╳四季合院╳垂直森林」的概念出发，
  呼应紧邻公园的基地位置，企图打造隐身都市中的宜居建筑——
  让树景进驻家户阳台，让绿意融入宅邸空间，
  每个家屋皆享有一片绿荫，层叠错落为一座森林。
  而本次 恆慕国际设计 吴信宏 设计总监 经手销售中心规划，
  便思考如何从具象及意象的角度，
  与建案理念相应；使建筑量体不只是流于「形」的展现，
  更是承载人文情感与自然绿意的诗意体裁。
  
  The proprietor intends to take the concept of "hanging garden ╳ seasonal terrace ╳ vertical forest", and take the advantage of the site location which adjacent to the park, in an attempt to construct a livable greenery building. ——
  Plant a tree on the balcony of each abode;
   introduce the greenery into the living space,
  Every dwelling flat could enjoy under the green shade;
  and layer on layer that brings into being a forest.
  As Evermore International Design Hsin-Hung Wu design director holds the chance of planning the marketing reception center, the cogitation about how to correspond to the concept of construction from the perspective of figuration and imagery, so that the building volume would not shape as an icy concrete mass, but rather to bring about the humanistic implication and natural green of the space.
  
  
  ▲不只于量体形貌上有所展现，由设计概念的角度反思切割，在感性与理性呼应的情况下，设计团队凭藉形塑巨岩量体削切概念，导引观者回归原初之心。
  
  设计概念 Design Concept
  
  以「拥抱自然．享受自然」的心念出发，
  我们将时空拉回与自然共居的生活型态，
  回归现代人所需的单纯状态。
  
  Initiate from the inspiration of "embracing and enjoying the nature".
  The designer pulls space-time back to the lifestyle when people live with the nature, which get back to the simple state that requires by modern people.
  
  建物设计发想自澳洲的乌鲁鲁（艾尔斯岩），
  其巨大的单体岩石意象，
  一如我们所形构的洞穴外观——
  坚实可靠，象徵着家的稳固，
  它就这麽静静地躺卧在林间，
  铺展一片和谐静谧。
  
  The notion of the design is originated from Uluru (Ayers Rock) in Australia.
  The figuration of the gigantic rock, which like the constructed appearance of caves that, symbolized the stability and reliability of home. Gently situated in the plantation of harmony and serenity.
  
  
  除此之外，我们也援引了乌鲁鲁的地貌样态——
  其依循不同的季节及气候条件，将会呈现各异色彩，
  甚至在一天中的不同时间裡，伴随光线作出变化。
  因此，投影蚀刻，镶嵌金属框格，
  当日光洒落、云影徘徊，便自成一道风景。
  
  In addition, reference to the land features and weather of Uluru, it would present different scenes s of depending on different seasons and climatic conditions, even at different times of a day, changing with the light.
  Accordingly, we chiseling the hexagonal holes and inlaying the metal frame, while the sunlight shins and the clouds roam, and then it becomes a landscape of its own.
  
  
  
  彷生结构．回归原始穴居
  Bionic structure・Back to the primitive cave living.
  
  建物外观以水泥纤维板包覆，
  形构巨石块体，穴居意象跃然纸上；
  并漆以陶瓷漆，彷岩石粗糙面，
  同时兼具耐候抗污之效用。
  量体大片纯白一如画布，其作画者则为大自然，
  透过日光投射，细腻刻画斑驳光影。
  
  The appearance of the building is clad with fiber cement board, and construct a huge stone shape, thence emit an image of living in the cave; painted with ceramic paint, which imitates the rough surface of rocks, and as well as having the affection of weather resistance and anti-fouling.
  The large-scale volume of pure white is just like a canvas, and the nature is its painter. By way of sunlight projection, delicately depicted light and shadow.
  
  
  
  数位模组．形构树冠光影
  Digital module・Bring about the lighting effect of a crown.
  
  量体立面以数位分割模组化，
  切分成六角菱格去做组构，
  其金属材质在日照之下耀眼透光，
  如同树冠参差错落、疏密有致。
  
  而其中的困难点，则在于执行模组化的过程中，
  需反覆地尝试，进行误差的控管，为每一个挂件预留空隙；
  最终才形塑出一片具生命力的动态风景。
  每当时序推移、光影漫步，
  彷彿身在远山青蓝、近山翠绿的视觉情境裡。
  
  The facade of the volume is assembled with rhombus lattice, which modularized via digital die cutting segmentation approach.
  The metal material glaring in the sunshine, which generate the delineation of staggered crown.
  Whenever the time goes by, just like being in a leisurely circumstance of green surrounding.
  There’s a challenge of module processing, which has to repeatedly test in order to control the deviation, and reserve enough space for each metal hanger, so as to create a vivid dynamic landscape.
  
  
  
  
  ▲看往天花，耸立于顶的黑色基底以灯光衬托，有如浩瀚星空、极光幻彩。
  
  Y字动线．呼应枝叶结构
  Y-shaped flow・Imitates the hierarchical chart.
  
  如同树枝开展的Y字形动线，由入口处向内延伸，
  与彷拟树冠光影的建筑外观，作一体性的结合，
  同时跳脱形制的格局规划，创造引人入胜的行走路径——
  想像置身在森林间，夜幕低垂，抬头仰望，
  一片星空闪烁着光芒，指引着归途方向。
  
  The Y-shaped flow as like the open up twig, which extends inward from the entrance, it is integrated with the building appearance of the imitating crown shade.
  At the same time, the configuration, which jumps off the conventional pattern, brings about a captivating path——
  Imagine being in the forest, while the nightfall and look up the shining starry sky, there's the direction of leading way back home.
  
  吴信宏
  恆慕国际设计有限公司　设计总监
  电话：+886-4-2463-9565
  地址：台中市西屯区福裕路87号
  信箱：emid2000@gmail.com
  网址：http://www.emid.com.tw/
  
  OPEN Design 动能开启传媒：http://www.openworld.tv/talk/
  
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